Volvox
‘The Volvox … is a freshwater organism, visible to the naked eye as a green speck about the size of a pinhead. It is indetermimately both plant and animal: zoologists class it among protozoa, and botanists among algae. Its reproductive cells are differentiated from its other cells, a fact considered significant in tracing the evolution of higher animals from protozoa.’ Faber Book of Science, 2005
‘[Antony van Leeuwenhoek (1632-1723)] saw Volvox yielding to one of its two remarkable inventions – natural (or inevitable) Death. The other half of the strange story eluded him completely. He did not know that after a few generations have been vegetavely reproduced by the process he observed there comes a generation that will produce eggs which must be fertlised by sperm before they can develop… during the vast stretches of time which have been his, routes were open at one time or another from every part of the earth to every other part…If only the fit survive and if the fitter they are they longer they survive, then Volvox must have demonstrated its superb fitness more concusively than an higher animal ever has.’ Joseph Wood Krutch (1893-1970), The Great Chain of Life, Eyre & Spottiswoode, 1957
‘Volvox looks…when motionless less like a plant-animal than like some sort of jeweler’s work intended, perhaps, as an earring. The surface of the crystal sphere is set with hundreds of tiny emeralds; its interior contains five or six larger emeralds disposed with careless effectiveness. But volvox is seldom motionless when alive and in good health. Bright as a jewel, intricate as a watch, and mobile as a butterfly, his revolutions bring one emerald after another into a position where they sparkle in the light…he seems to turn on an invisible axis, much as the planets do…There is something majestic and, one might almost imagine, irresisitible about his revolutions – again, like those of a planet. One half expects to hear some music of the spheres. Because the microscope has temporarily abolished the barrier of size which separates the universe of Vovlox from my own, I enter temporarily into a dreamlike relationship with him, though he is unaware of my world and perhaps equally unaware of his own… When I lift my head from the microscope the dream vanishes. But it is man and his consciousness which is really the fleeting dream. Volvox, or something very much like him, was leading his surprisingly complex life millions of years before man’s dream began and may well continue to do so for millions of years after the dream ends. Harder to realize is the fact that the enterprise and adventures of Volvox typify certain of the innovations and inventions which are casually summed up in the word ‘evolution’ and hence constituted some of the earliest and most essential steps towards making possible our dream.’ Joseph Wood Krutch (1893-1970), The Great Chain of Life, Eyre & Spottiswoode, 1957
Volvox
Encrypted in emerald green -
solution, mystery, at a point
of understanding; Evolution’s
unbelievable dream, ambition -
inventing death, sex - branching
from this unassuming, sparkling
root, revolving as if still in space;
a tiny star fallen. Animal and plant,
surviving clue; physical represention
of theory, so simple and magnificent -
as a physical egg is equation manifest.
No wonder Joseph Wood Krutch
recognised Volvox as the superior
dreamer - from first emerald cells
imagining heart, hand, eyes, man;
while still surviving intact, here -
over and over repeated - what more
might he be dreaming in the water;
green seed, sparkling plant-animal -
restless with creation still - all this,
even, never enough, for that drum
of life still beats, and he must dance.
He dances, Volvox, such understanding
of essential steps, creature/plant wizard,
his next revolution will bring the flower
to mind, for his next trick, hands touching
at dusk for the first time - lips before sex
he invented - but could just take or leave
for reasons sublime, mysterious, hidden
always. Why leave the water, her words,
when everything else he simply foresaw
in chemistries, possibilities - outcomes
of green cell messages interpreted thus,
or like that; manipulation of millennia,
foresight, prediction – organic/psychic
dreaming of matter, molecular creativity,
singular colour - in spectacular process.
Fittest of all, he has made flesh galaxies
from his small green star - his tinkering,
plasticity. Volvox the Artist, original root
preserved, still living; how many holy things
are still with us, as humble as this protozoa -
animal-algae gluing two worlds within worlds,
intersecting spheres - supreme green inventor
on the head of a pin, unlikely as Earth in space.
‘The other grinning relic is the chloroplast…small bodies in plant cells that do the business of photosynthesis – storing solar energy by using it to synthesise organic molecules…chloroplasts are responsible for the green colour of plants. It is now widely agree that they are descended from the photosynthetic bacteria…the process of photosynthesis is the same in these bacteria and in [the cholorplasts of] eukaryotes.’ Sir David Smith, The Cell as a Habitat, 1979
‘And God said, Let the waters bring forth abundantly the moving creatures that hath life, and fowl that may fly above the earth in the open firmament of heaven.’ Genesis 1, The Bible
Goodbye to becoming the lion
Goodbye to becoming the lion, tiger, monkey;
rubbing magnificent fur on dusty sun-ground.
Adieu manipulation of tools into art; touching
another - shells into homes, cathedrals, heart
protection. So long knowing the actual feel -
from the present-tense experience of opening
your head, being a flower under summer;
His Magnificence the Banana Leaf, fruit
plumping under jungle sun, ecstatic blown
dandelion - all this will yet come, happen
from these cells, processes, mechanisms, ripples
revealed from the ever-imagining soul of water -
happy in solution. Look, his work is done,
leaving him to swim sleepily, still dream.
‘The predominant colour of volvox is green; the green looks like chlorophyll; and so it is. Morevover volvox can be ‘cultured’ in a purely chemical solution. All this suggests a plant rather than an animal but biologists have decided that the classification is meaningless at this level. Both textbooks of zoology and textbooks of botany usually claim volvox, and there are no hard feelings because zoologists and botanists agree that Volvo represents a stage of evolution at which plants have not diverged from animals. He is either the one or the other. Or, more properly, he is neither. He is not plant or animal… the ‘guess’ that volvox represents a stage in the development of the ‘higher’ multicelluar animals and suggests how the transition was made is more immediately persuasive than many of the other guesses biology feels compelled to make.' Joseph Wood Krutch (1893-1970), The Great Chain of Life, Eyre & Spottiswoode, 1957
